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Hyper-collages by Jim Kazanjian

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Some call him the M.C. Escher of photography. I’m talking about photographer and visual artist Jim Kazanjian. He constructs ‘Hyper-collages” as he calls it himself. These collages consists out of multiple images found on the internet. Some collages are made with a stunning 50 different photographs. He creates places that could come straight from a fairytale without even touching a camera. It seems that some photographers don’t let the reality stop their imagination of what can be ‘photographed’. Just like the absurd structures by Filip Dujardin, Jim Kazanjian manages to amaze and makes architectural photography the next subject when it comes to manipulating reality.

Jim Kazanjian’s website: www.kazanjian.net

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Capturing Time Pinhole-style by Matthew Allred

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The origin of it all. Pinhole cameras are the most simple cameras you can find. Or make. Just a tiny hole and a dark box with a film inside. Or like the old painters did, just trace the image that appears with paint and whalla you have a realistic image of reality.

Depending on the process used the exposure time can differ from just a couple of seconds up to months. Yes, months. Matthew Allred is a photographer who uses a pinhole to capture amazing landscapes. By using the process called Heliography he sets out to create wonderful photographs. The exposures he uses are long. Long enough to track the path of the sun. In one photograph he tracks time like no modern camera can.

Matthew Allred’s website: www.matthewallred.com

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Food & Drinks…and String by Kyle Dreier

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Do you ever wonder what type of drink suits best with the meal you’re about to eat? Well food photographer Kyle Dreier made this easy for you with his series Food & Drinks…and String. Or as some have called it the “Food bondage series”. In this personal project Kyle explorers the stereotypical food pairings. And he does so in a very delicious way. I wonder how long Kyle will go on with this project. Since there are countless possibilities to combine, enjoy and photograph.

Kyle Dreier’s website: www.dreier.com

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In the Styles of the Old Masters by Bill Gekas

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Many photographers will probably tell you that they are influenced by the works of great painters. I am one of them. The old masters of the 18th and 19th century. Bill Gekas is one of those photographers who has translated that influence into a very nice series. Using different models, including his five-year-old daughter, he created scenes as if they were painted by Vermeer or Rembrandt. Not only the light he used is spot on, also the complete feel of the 19th century is. By using the style of clothing of that age. Very nicely done. Vermeer and Rembrandt never really painted children in such a way. Perhaps to paint a child is even harder than to get them to sit still for a photograph.

Bill Gekas’ website: www.billgekas.com and blog: billgekas.blogspot.nl

 

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Watching Weight Watchers

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Photographer Haley Morris-Cafiero has created a series in which she herself is situated. We see her in different locations. But the subject are the people surrounding her. Being a person that struggles with her weight, hearing people commenting about her physique has always been part of her life. But capturing the looks and the stares was something that she never thought possible. Until she took photos of herself in Times Square and notices something. In several photographs she notices that different people were staring and some had an expression of disgust on their faces. A new series was born.

The series is called “Wait Watchers”. She places a camera in view and photographed herself doing different things. Such as reading, sketching and talking on the phone. But the one activity that created the most response was when she was eating. For her it is not really certain if people watch her because she’s fat or perhaps she’s taking a photo of herself.

Whether people may look at her for taking a photograph or with the idea “look at that fat lady” is not sure. But what is for sure is that the time we live in has placed a stigma on being a large person. Looking at commercials, magazines and models a standard of size has been set. Compare them to models from the twenties and thirties Or even in art from the 1800s. A difference can be seen. In a way Morris-Cafiero is putting the shame back to ones thoughts. Judging yourself and not someone else.

I have always been aware of people making faces, commenting and laughing at me about my size. I now reverse the gaze and record their reactions to me while I perform mundane tasks in public spaces. I seek out spaces that are visually interesting and geographically diverse. I try to place myself in compositions that contain feminine icons or advertisements.

Haley Morris-Cafiero’s website: haleymorriscafiero.com

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